The musical compositions of Richard Burdick
                                    1 star rating                  Follow on Twitter

Opus 134

Flowering love fallings
for 2 horns & tape (bells or carillon) (time)

2001-2004

I don't expect to ever release this work

I Ching divider © 2020 Richard O. Burdick

in five movements:
       Flowering love fallings 10   - 4 minutes - 13 pages
       Modal Family Group 10     - 3 min. - 7 pages
       Flowering love fallings 11   - 3 min. 20 sec. - 12 pages
       Modal Family Group 12      - 1 min. 20 sec.- 4 pages
       Flowering love fallings 12    - 3 min. 15 sec. - 9 pages
                            totals:   -  15 min. +    45 score pages

I Ching divider © 2020 Richard O. Burdick

This work began with a study into the 12 "family Groups" of the I ching (this is covered on my I Ching Music book) The use of the family groups supplied me with the scales and tonal center. Plus there was some uses of modes within the scales as affected by the keys of the other scales in the group.

I then used the triads from each scale as I have them organized in relationship to the tonic of the scale. Organized from lowest in the overtone series to highest. For example the major triad on the tonic would be a 1 - 5 - 3 triad therefor it would be classified as a 9 triad. A diminished triad on the major seventh of a major scale would be a 15-9-21 therefore it would be classified as a 45 triad etc.

These triads were then give to each horn in the speed of the vibration of the key. This the was organized and written out in a somewhat logical way. With the contrasting tempos organized into a common denominator.

The bells were then figured from the relationship of the tones of the two horn parts based on the resultant overtones.

Then when a consonant occurred it is repeated. Each consonant is repeated one more time than the preceding one.

This to me depicts a conversation where two people find things in common and "click" this clicking is part of falling in love.

Richard Burdick
11-17-2004

I Ching divider © 2020 Richard O. Burdick

Flowering Love Fallings and Modal Family Groups is a composition for two horns and tuned wind chimes or campinili. The idea behind the work is the of falling in love. Two separate horn parts playing arpeggios in different keys or modes and at different rates occasionally line up, and when they do the connecting event get repeated. It is like the first glance, you notice the other person, then you look again. It is a “Flowering love falling”.

The other type of movement in this set is a modal family group which is the movement without the connections repeated. A modal family group is a set of I Ching hexagrams that have the same pattern of lines, but are just rotated starting on a different line, like a mode in musical scales. There are twelve modal family groups  in the I Ching, 10 sets of six and two sets of two.

Richard Burdick
February 2008

I Ching divider © 2020 Richard O. Burdick

Recording from Early 2008
Recorded multi-track with Richard's Single four valve Bb horn made by Johann Egerter in 1938


M.1


M.2


M.3


M.4


M.5

 

Share This on Twitter      Share This Link on Facebook

I Ching Music's divider @ Richard Burdick 2020

Not yet registered with ASCAP.

I Ching Music's divider @ Richard Burdick 2020

Contact us for more information.

opus 134 original manuscript page

 

Flowering love Fallings #10 . . . . . 1 4 minutes

Modal Family Group #10 . . . . . . . 14 3 minutes

Flowering love Fallings #11 . . . . . 21 3 min. 20 sec.

Modal Family Group #12 . . . . . . . 34 1 min. 20 sec.

Flowering love Fallings #12 . . . . . 38 3 min. 15 sec.

This work began with a study into the 12 "family Groups" of the I ching. The use of the family groups supplied me with the scales and tonal center. Plus there was some uses of modes within the scales as affected by the keys of the other scales in the group.

I then used the triads from each scale as I have them organized in relationship to the tonic of the scale. Organized from lowest in the overtone series to highest. For example the major triad on the tonic would be a 1 - 5 - 3 triad therefore it would be classified as a 9 triad. A diminished triad on the major seventh of a major scale would be a 15-9-21 therefore it would be classified as a 45 triad etc.

These triads were then give to each horn in the speed of the vibration of the key. This the was organized and written out in a somewhat logical way. With the contrasting tempos organized into a common denominator.

The bells were then figured from the relationship of the tones of the two horn parts based on the resultant overtones. Then when a consonant occurred it is repeated. Each consonant is repeated one more time than the preceding one.

This to me depicts a conversation where two people find things in common and "click" this clicking is part of falling in love.

Richard Burdick
11-17-2004

 

Modal Family Groups

Like the Greek modes in music, I have charted out the modes in the I ching.

In music the modes all have the same set of 7 tones A through G without sharps or flats. Each mode then simply starts on a different tone.

There are twelve modal family groups and two independent hexagrams:

Independent: 1 & 2

Group 1: 3, 35, 39, 40, 36, & 4

Group 2: 5, 38, 37, 6, 49 & 50

Group 3: 7, 24, 23, 8, 16 & 15

Group 4: 9, 10, 13, 44, 43 & 14

Group 5: 11, 41, 42, 12, 31 & 32

Group 6: 17, 56, 48, 54, 22 & 59

Group 7: 18, 60, 21, 53, 47 & 55

Group 8: 19, 27, 20, 45, 62 & 46

Group 9: 25, 33, 28, 34, 26 & 61

Group 10: 29, 57 & 58

Group 11: 30, 57 & 58

Group 12: 63 & 64

I have used this as a formation for one of my musical composition.

 

 

Search I Ching Music:

Opus 133aOpus TourOpus 135
CD47CD47CD46CD46CD45CD45 CD44CD44 CD43CD43 CD42CD42 CD41CD41 CD40CD40 CD39CD39 CD38CD38 CD37CD37 CD36CD36 CD35CD35 CD34CD34 CD33CD33 CD32CD32 CD31CD31 CD30CD30 CD29CD29 CD28CD28 CD27CD27 CD26CD26 CD25aCD25a CD25CD25 CD24CD24 CD23CD23 CD22CD22 CD21CD21 CD20CD20CD19a CD19a CD19CD19 CD18 CD18 CD17aCD17a CD17CD17 CD16 CD16 CD15CD15 CD14CD14 CD12CD12 CD9 CD9 CD8 CD8 CD7 CD7 CD6CD6CD5CD5 CD2 CD2 CD1 CD1