Donate to I Ching Music

I Ching Music Logo
On the web since 1996

RECORDINGS

COMPOSITIONS

BOOKS

MUTES

About R. Burdick

for Horn students


Recordings:

AppleMUSIC
Apple Music

Band Camp BandCamp

Deezer

ReverbNation Reverb Nation

Spotify

Tidal

Youtube Artist


Sheet Music:

Program notesVideo Hear & Buy CD

The Cd's of Richard O. Burdick                 1 star rating             Follow on Twitter

I Ching Music logoCD14

CD14Richard Burdick,
natural horn

Performs Digital Recording
Louis-François Dauprat’s (1781-1868)
Six Quartets & Six Trios for Natural Horns
in Different keys, Opus 8

Richard Burdick, cor alto, cor basse, cor alto, and cor basse

CD13CD TourCD15

Released c. 2006

Listen to the album on BandCamp

Tracks List:

Six Quartets
1 Allegro poco agitato Keys: G, Eb, F, C 4:18
2 Minuetto: Allegro vivace Keys: G, D, E, C 3:15
3 Introduzione con Variazione
Keys: G, D, E, D
4:06
4 Marica Keys: G, D, E, C 4:22
5 Marcia funebre: Adagio Keys: G, F, F, D 3:12
6 Allegro scherzando Keys: G, C, F, C 3:02
Six trios
7 Andantino Keys: G, E, C 3:02
8 Minuetto: Grazioso Keys: G, F, C 3:59
9 Allegretto Keys: G, F, C 2:07
10 Marica Religiosa Keys: G, E, D 1:16
11 Minuetto: Grazioso Keys: G, E, D 4:02
12 Finale: Allegro poco agitato Keys: G, E, D 6:03

Total Time 43:23

back to the top

Program Notes:

About the horn:
The horn used is an Austro-bohemian horn with terminal crooks made around 1840. Tuned at A: 430 Hertz.
About the music:
The description of the horn from Albrechtsberger’s (1736-1809) Harmony books gives us a chart of the major triad in C and even avoids the common 9th overtone a normal open tone (D). And he goes on to say:
” Semitones are made by the hand, in the bell of the horn and should therefore be introduced with discretion . . . Rapid chromatic passages display a great degree of technical ability, and may excite wonder but little else. A horn should sing, its most beautiful and magical power is thus perceived. Its notes should develop themselves gradually like those of a human voice in a real portamento di voce of delicate shades; these tones will appear the interpretation of an overflowing spirit – the articulated throbs of a sensitive heart, and will conjure up unbidden tears”
Albrechtsberger (Beethoven’s teacher) recommended melodies of a simple nature and to avoid chromatics. In contrast and not too many years later Dauprat, under the master tutelage of Reicha, wrote music of incredibly complex nature for instruments in different keys, as presented here.
Horn always reads in the key of C, but the length of the instrument varied from Bb basso to C alto. C alto parts sounded as written, all other keys were written higher than sounding, with the extreme low Bb horn sounding down a Major ninth. In these works contrasting and conflicting keys were used and in a masterful way. For Example; the last chord of the first trio is a concert A minor triad. The Low C horn plays a written E sounding concert E. The E horn plays a written Eb sounding concert G. And the G horn plays a written E sounding concert B.The amount of transposing and then relating the music to what is possible on the valveless horn, is outstandingly difficult.
-- These works are technical and music masterpieces. --
One of Richard’s favorite moments is when two horns pitched a minor third apart both play repeated eighth notes on a written Bb’s: a uniformity of timber resulting from the use of the 7th overtone, in two different keys.
Among the difficulties presented to the horn player are incredibly fast passages, low Ab’s, high A’s and lots of chromatics. The chromatics written for a low pitched (like C or D) instrument are especially hard and often go unnoticed below Dauprat’s beautiful melodies.
About the recording and set up:
These are multi track recordings. Mr. Burdick is performing all the parts. The recording is done on an iMac G5 with the program Digital Performer 4.5 and a Presonus Firestation USB preamp and USB interface with two Mogami MXV V69 tube microphones.
Reverb was added to emulate a large concert hall and a limiter was used to eliminate most of the background hiss. No other sound alterations were made.
The project was begun in Richard’s studio at the Music conservatory, a part of the University of Regina, Saskatchewan in February 2005. After recording all the trios it was determined this studio had too much background noise. The recording was redone entirely in a “sound proof” room in the basement of Mr. Burdick’s apartment. The last day of recording was November 10th 2005 with the complete performance of trio number one done in about an hour and a half.

 

1) Hello Richard WOW! What a surprise! I spent all day listening to it. You make the Bohemian horn sound effortless to stop. The creaminess of the horn's tone came through really well, and the complex overtone structure of your sound is perfect on the Bohemian horn. This is without question the finest overdub recording ever made, especially with regard to the intonation (Those other guys just won't tune it!). The complexity of the project will be missed by most people, considering how effortless it sounds, but I really understand and appreciate what you've accomplished, and I admire this CD greatly. Will you be doing the Dauprat Sextets, as well? Thank you a thousand times for sending me the CD to hear. Will these be on eBay to buy for Christmas gifts? Congratulations. Lowell
 
2) Richard - I listened to your new CD over the weekend, it's really wonderful.
If I didn't know how you did it, I would have heard some of the voices as
having different personalities - there's one of the inner parts that chimes
in with its little solos with great glee, and the 6th hornist is a jolly
fellow who enjoys booming out those final notes!
I loved the CD label, it's your best yet.
Congrats on making another hit with Lowell!
Bev
 

Dr. Tom from Amazon
Among the handful of late 18th/early 19th century composers who wrote for horn ensemble, Louis-Francois Dauprat certainly stands out as the most inventive and adventurous (even more than his teacher, Anton Reicha, I'd say). Not only are his compositions clever and chromatically rich, they are audaciously demanding given the limits of the natural horn (without valves) for which they were written. This recording demonstrates just how difficult this music is for its intended instrument. Despite the resounding endorsement from Lowell Greer displayed on the back of the CD, Burdick is not quite up to the level of modern master natural-hornists such as Greer (or Baumann, or Halstead), a fact which reveals itself most prominently in the somewhat sour sounding faster passages. On the other hand, it's amazing that anyone can pull these pieces off at all, and Burdick certainly plays with enthusiasm and musicality. The CD is self-produced and has that homemade look to it, complete with blurry photographs and oddly written program notes that would have benefited from a proof-reader. Nonetheless, it is a fascinating addition to the collection of any horn player or aficionado of the instrument.

 

http://www.amazon.com/performs-Louis-Fran%E7ois-Dauprat%92s-1781-1868-Quartets/dp/B000CQJYEA/sr=1-15/qid=1160495076/ref=sr_1_15/002-9426843-1004029?ie=UTF8&s=music


back to the top

I Ching Music's divider @ Richard Burdick 2020

Bar codes:

ask

back to the top

Bar Code 8 7404400590 7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Search I Ching Music:
Current ThinkSpotVBlog
all ThinkSpotsI Ching Music's divider @ Richard Burdick 2020

CD87 - RoB's Chamber Music            volume two

CD86 - 19th Century Horn music by Lütgen & Wünderer

CD85 - Otto Nicolai Duets            on Natural horn

CD84 - Artot Quartet No. 1

CD83 - Horn Quartets by Artot

CD82 - Horn Trios by Artot

CD81 - 64 String Quartets

CD80 - 64 Horn Quartets

CD79 - 18th Century Horn

CD78 - Beethoven & Reicha

CD77 - Yin-Yang Beauty No. 2

CD76 - Found These: Three

CD75 - RoB's Chamber Music            volume one

CD74 - Following Glacier

CD73 - Handsome horn solos
           volume two

CD72 - Gumpert Horn Quatets               volume four

CD71 - Gumpert
           Horn Quartets vol. 3

CD70 - Gumpert
           Horn Quartets vol. 2

CD69 - Gumpert
           Horn Quartets vol. 1

CD68 Handsome horn solos
           volume one

CD67 - Glacier Suites etc.

CD66 - A Lake
             of Violet Flames Op. 310

CD65 - More natural horn music

CD64 - 64 horn solos (icsV5),                  Op. 293

CD63 - 64 horn duets (icsV5),                  Op. 292

CD62 - The Mindset Nonet,      
             Op. 242

CD61 - Vortex Breathing
      & I Ching Chants, Op. 244

CD60 - Wilder Graas Presser

CD59 - A Walk with Giants
                 & Motor 1 2 4 8 7 5

CD58 - Music We Publish

CD57 - Piano works: Wave,              Relentless & more   

CD56 - Particles

CD55 - Duets

CD54 - The 270's

CD53 - Burdick & Harbison                        Quartets

CD52- Found These Too  

CD51- Microtonal
             I Ching Cycles   

CD50 - I Ching Elements

CD49 - Brass Music, Op. 9, 10,               45, 268, 269 &150b

CD48 - Giovanni Gastoldi

CD47 - I Ching Rhythms,Op. 209

CD46 - A Rainbow of
              I Ching triads

CD45 - North American
              Horn Music

CD44 - Opening the Sphinx

CD43 - Music of Silvio Coscia

CD42 - I Sound My Horn

CD41 - American Horn Music                     vol. 2

CD40 - Retrospective II-                          The horn Quartets

CD39 - Bach
             by Popular Demand

CD38 - Matthew Locke
        Broken &  Flatte Consorts

CD37 - Microtonal music of
             Richard Burdick

CD36 - Classical Natural Horn
          Duvernoy & Schneider

CD35 - Twenty-Two Trios for                  Horns, Op. 156

CD34 - Natural Horn Music                        FOUND

CD33 - More than 64 Quartets for horns based on the I Ching

CD32 - American Horn Music
             of the 40's & 50's

CD31 - Grand Music of J. F.                   Gallay,   vol. 2

CD30 - Grand Music of J. F.                   Gallay,  vol. 1

CD29 - Astral Waves
            & Phosphor

CD28 - WAVES AND PARTICLES, opus 159 PART ONE - Waves

CD27a - Castelnuovo Tedesco                 horn quartet

CD27 - Anton Reicha Trios
            Op. 82 & 93 complete

CD26 - Accuracy Studies For the         French horn student

CD25a - Bach Cantata
                BWV 132 No. 1

CD25 - Nice Notes

CD24 - Duets, opus 132 complete in the "one takes"

CD23 - More than 64 solos for                Horn, Op. 139

CD22 – Naderman’s Music
              for Horn and Harp

CD21 - Beyond Favorites

CD20 - Classical Gas

CD19a - Dauprat's trios
                Op. 26

CD19 -  Dauprat's Grand Music

CD18 - Louis-Francois Dauprat
              Duos for Horns,
                        Opus 13 vol. 2

CD17 - Favorites - Barber, Grieg, Bach BWV 82 & 225

CD16 - Howlers Revised 2006 Dauprat  Duets, Op. 14, Mozart

CD15 - J. S. Bach's Easter                        Oratorio, BWV 249

CD14 - Dauprat’s Op. 8

CD13 - 64 Duets, Op. 132                        part two #17-34

CD12 - Reveré by V. Herbert

CD11 - 64 Duets, Op. 132                         part one #1-16

CD10 - The Planets for
              solo horn, opus 19

CD 9 - Louis-Francois Dauprat
            Duos for Horns, Op. 13

CD 8 - Portal Solo Multi-phonic French horn In An Environment of drones & overtones.

CD 7 - INFINITY ONE

CD 6 - "Richard Burdick with tape"

CD 5 - "Let Me Out

CD 4 - 4.5 INCH SINGLE Aaron Blumenfeld’s Horn Sonata

CD 3  - H o w l e r s
          Louis-François Dauprat’s
         20 Duos for Natural 

CD 2 - I Ching Arpeggios

CD 1 - Rebel with a Horn